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Book
Year: 2013 Publisher: Florence : Firenze University Press,
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Elegantie lingue latine is the masterpiece of Lorenzo Valla's reflection on language, through which the humanist gave birth to a real re-foundation of Latin. To date we still do not have a modern, scientifically based edition of the text characterising the various editorial phases of the work, on which the author worked for over ten years and which, arbitrarily and by the author's own will, was in circulation long before its official publication. This research is part of a future complete edition of the text: the first complete edition of a book of the "Elegantie" is presented, limited to the fifth book on the "disputatio verborum", based on the examination, albeit partial, of the handwritten tradition and on a global reconsideration of the editorial history work. Le "Elegantie lingue latine" costituiscono il capolavoro della riflessione di Lorenzo Valla sulla lingua, tramite cui l'umanista mise in atto una vera e propria rifondazione del latino. Manca, a oggi, un'edizione moderna del testo, scientificamente fondata, che caratterizzi le varie fasi redazionali dell'opera, su cui l'autore lavorò per oltre dieci anni e che fu fatta circolare, arbitrariamente e per sua volontà, molto tempo prima della pubblicazione ufficiale. Questa ricerca si inserisce in una futura edizione completa del testo: limitatamente al V libro dedicato alla disputatio verborum, si presenta la prima edizione integrale di un libro delle "Elegantie" fondata sulla disamina, ancorché parziale, della tradizione manoscritta e su una riconsiderazione globale della storia redazionale dell'opera.
Book
Year: 2016 Publisher: Florence : Firenze University Press,
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The so-called "monochromes" on marble are twelve paintings on marble slabs from the Roman age, mostly coming from Herculaneum, and are now preserved at the National Archaeological Museum of Naples and at the Kunsthistorisches Museum of Vienna. These paintings were included in several publications. Despite that, they continued to raise many questions and there was a lack of studies focusing entirely on them. Furthermore, it had barely been clarified that, despite the name "monochromes", these works are completely polychrome. By combining the archaeological data and the information obtained from the non-invasive archaeometrical analysis, it was possible to achieve brand new results, which allowed for a better understanding of some aspects of these works, such as their iconography, the used pigments used and the clients' choices.
Book
Year: 1967 Publisher: Paris: Flammarion,
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Object
Year: 1889
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Afbeelding van het schilderij De ijsvogels van Emile Claus.
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